Wu Zetian

the only female emperor of China
from 26 october 2024 to 25 may 2025
Wu Zetian

Wu Zetian

the only female emperor of China

In October 2024, The Princessehof National Museum of Ceramics in Leeuwarden, the Netherlands, will present the European premiere of the exhibition on Wu Zetian (624-705), the only empress in the history of China. Through a collection of dazzling Tang Dynasty tri-coloured pottery, gold and silverware, stone carvings, and other exhibits, the exhibition vividly brings the extraordinary life of this empress, and narrates her remarkable story, filled with ups and downs, remaining as vibrant as it was over thirteen centuries ago.

As a significant outcome of collaboration with Palatina Cultural Group, the main Chinese partners for this exhibition are Art Exhibitions China and Henan Administration of Cultural Heritage.

In over 2000 years of China’s feudal dynasties, all its rulers shared a common trait: they were male. Empress Wu Zetian stands as the sole exception. While numerous books and movies have recounted her extraordinary life, Europe has yet to host an exhibition of such scale.

Using impressive objects of unprecedented quality that rarely leave China, the exhibition follows the incredible journey of a young girl who entered the imperial court as a consort, assisted Emperor Gaozong in government affairs, and rose through unbridled ambition to become Wu Zetian, China’s sole empress. 

Courtesy of Luoyang Museum
Courtesy of Luoyang Museum

The Silk Road

The captivating aspect of Wu Zetian’s story lies not only in her personal journey but also in the backdrop of the Tang Dynasty (618–907), when the famous Silk Road was at its apogee with China positioned as a pivotal trade centre linking East Asia, the Middle East, and East Africa. The capital cities of Chang’an (present-day Xi’an) and Luoyang during the Tang Dynasty attracted merchants from around the world, offering an array of exquisite goods from various regions. Wu Zetian left a distinct mark during this thriving period. Additionally, her reign witnessed several agricultural and trade reforms, along with tax reductions, leading to an unprecedented prosperity in trade.

Courtesy of Luoyang Museum
Courtesy of Luoyang Museum

Unprecedented quality

For The Princessehof National Museum of Ceramics in Leeuwarden, presenting this exhibition will fulfil a long-cherished wish. From October 26, 2024, to May 25, 2025, an array of high-quality, scarcely loaned artifacts will grace the halls of this museum in Leeuwarden, including earthenware grave goods depicting camels, horses, musicians, merchants, luxurious jewellery, bronze mirrors, elegant porcelain, as well as vessels crafted in gold and silver. Additionally, other discovered items from Luoyang and its surrounding regions, such as the magnificent roof tiles once adorning imperial palaces, will serve as the crowning jewels of the exhibition.

The tomb where both Empress Wu Zetian and her husband, Emperor Gaozong, were laid to rest remains sealed to this day, leaving people to envision the valuable treasures lying beside them, awaiting their use in the afterlife. In contrast, numerous artifacts have been unearthed from the tombs of those connected to the empress, offering fascinating insights for understanding Wu Zetian and the era she lived in. Visitors to the exhibition in Leeuwarden will have the chance to witness the splendour of these artifacts.

There will also be several artifacts from the renowned Longmen Grottoes, famous worldwide, specifically for this exhibition in the Netherlands. Buddhism, introduced via the Silk Road, became the predominant religion in China during Wu Zetian’s rule. The cave, situated near Luoyang, was expanded under the empress’s reign, resulting in the addition of thousands of towering Buddhist sculptures, memorial stones, and pagodas, marking the peak of its grandeur.

Narrating the story of one of the most powerful women in world history through over a hundred Chinese artifacts rarely seen in Europe, the exhibition is anticipated to be one of the most prestigious exhibitions in the history of the Princessehof National Museum of Ceramics. It has received substantial support from the Embassy of China in the Netherlands and the Province of Friesland in the Netherlands.

Cooperation

The exhibition is an outstanding outcome of collaboration with Art Exhibitions China, Henan Administration of Cultural Heritage and Palatina Cultural Group. The exhibits are sourced from a variety of Chinese museums from the Henan province where Luoyang is located, the “Divine Capital” of the Wu Zhou Dynasty, where the empress, along with many courtiers and officials, spent several decades.

This exhibition is made possible by the support of the Province of Fryslân.

Partners of the Princessehof: Ottema-Kingma Foundation, Society of Friends of the Princessehof and Club Céramique.

The Princessehof National Museum of Ceramics is co-funded by the Ministry of Education, Culture and Science and the Municipality of Leeuwarden.

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